If you commit to using this approach you need to have a vast amount of money and incredible discipline to step away when you accrue a tiny success. For the purposes of this material, an example buy in of two thousand dollars is used.
The Horn Bet numbers are surely not seen as the "winning way to wager" and the horn bet itself has a house edge well over 12 %.
All you are gambling is $5 on the pass line and ONE number from the horn. It doesn’t matter whether it is a "craps" or "yo" as long as you gamble it consistently. The Yo is more popular with players using this approach for apparent reasons.
Buy in for two thousand dollars when you sit down at the table however only put five dollars on the passline and one dollar on one of the 2, three, 11, or twelve. If it wins, awesome, if it does not win press to $2. If it loses again, press to four dollars and continue on to eight dollars, then to $16 and after that add a one dollar each subsequent wager. Every instance you do not win, bet the previous value plus an additional dollar.
Employing this approach, if for instance after fifteen rolls, the number you wagered on (11) hasn’t been tosses, you likely should march away. However, this is what could develop.
On the 10th roll, you have a total of $126 in the game and the YO finally hits, you earn $315 with a take of one hundred and eighty nine dollars. Now is a perfect time to step away as it’s more than what you joined the game with.
If the YO doesn’t hit until the twentieth toss, you will have a total wager of $391 and seeing as current bet is at $31, you gain $465 with your profit of $74.
As you can see, using this approach with just a one dollar "press," your gain becomes tinier the more you wager on without attaining a win. That is why you must go away once you have won or you must wager a "full press" once more and then carry on with the $1.00 increase with each roll.
Crunch the data at home before you attempt this so you are very adept at when this system becomes a non-winning proposition rather than a winning one.
